Entry Nº 15Programme
Tasveer’s 21st Edition Hands ‘Mayilaa’ Top Narrative Jury Prize
Mayilaa and The Gymnasts of Fisherman Colony take top jury prizes at Tasveer's 21st Seattle edition, which handed out $170,000 in market awards and $35,000 each to four shorts.

Judges’ notes
- Tasveer's 21st edition ran October 13–18 in Seattle, screening 136 films from 16 countries.
- Mayilaa won the Jury Award for Best Feature Narrative; The Gymnasts of Fisherman Colony won Best Feature Documentary.
- The Tasveer Film Market distributed $170,000 across three pitch competitions.
- The seventh-year Tasveer Film Fund awarded $35,000 each to four short film projects.
- The festival included 20 world premieres, four North American premieres and four U.S. premieres.
Seattle's Tasveer Film Festival closed its 21st edition on October 18, with Semmalar Annam's Mayilaa taking the Jury Award for Best Feature Narrative and Habiba Nosheen's The Gymnasts of Fisherman Colony winning Best Feature Documentary. The six-day event, running October 13–18, screened 136 films from 16 countries in more than 25 languages, including 20 world premieres, four North American premieres and four U.S. premieres.
For a festival of this scale, the hardware matters less than the machinery behind it: a jury panel with serious credentials, a market distributing real money, and a fund now in its seventh year. That combination is what positions winners in the broader awards conversation.
Who won what?
The juried awards went to:
- Best Feature Narrative: Mayilaa, directed by Semmalar Annam, starring P. Melody Dorcas, Geetha Kailasam, Shudar Kodi and Sathya Maruthani — a mother-daughter story about "a novice saleswoman [who] travels South India to meet financial needs, despite having no sales experience."
- Best Feature Documentary: The Gymnasts of Fisherman Colony, about young women pursuing gymnastics in a Pakistani community where the sport is uncommon for girls.
- Best Short: The Last Glance, directed by Kamran Faiq, starring Adnan Shah Tipu and Areej Ayub Hussain.
Mayilaa arrives with festival pedigree, having screened at Dharamshala, Singapore and International Film Festival Rotterdam. The documentary carries heavier marquee weight: executive producers include Mariska Hargitay, Trish Adlesic and Nobel Peace Prize laureate Malala Yousafzai.
Hargitay said of the project: "When we first learned about these young girls and their lives from director Habiba Nosheen, my producing partner, Trish Adlesic, and I knew we wanted to help ensure that their story would reach audiences around the world."
How did the jury decide?
Jury Lead Aparna Purohit, CEO of Aamir Khan Productions, headed a four-person panel. Her colleagues: James Longley, a two-time Academy Award-nominated documentary filmmaker; Nekisa Cooper, former Head of Content at MasterClass and board president of Chicken & Egg Films; and Warren Etheredge, producer and film educator at the University of Washington.
That composition — an Oscar-nominated documentarian, a studio chief and a funder — reads like a jury built to send winners downstream, not merely to decorate them.
Purohit commented: "Some stories move us through their intimacy; others through their reflection of the world around us. The films we considered at Tasveer did both, confronting the socio-political realities of our time with courage, sensitivity and remarkable cinematic vision."
What does the money change?
The third annual Tasveer Film Market, which the festival calls "North America's only industry platform dedicated to South Asian and diasporic cinema," distributed $170,000 across three competitive pitch events — roughly $56,600 per competition, for those keeping score.
Separately, the Tasveer Film Fund, now in its seventh year, awarded $35,000 each to four original short film projects:
- The Blue House — Red Reddy
- Friendforhire.com — Nishanth R
- Ghusl — Ambarien Alqadar
- Planned Parenthood — Rahul Chaturvedi
That is $140,000 in production funding, or $35,000 per filmmaker — the sort of figure that converts a festival laurel into an actual film.
Executive Director Rita Meher framed the festival's role in plain terms: "Each film in this year's lineup came to us carrying someone's whole world. Our role is to welcome it home, with a stage, a room full of industry, and real opportunities to go further."
The rest of the winners
Audience Choice Awards:
- Best Documentary Short: Salam Shalom
- Best Documentary Feature: 49-51
- Best Narrative Short: We Were Here
- Best Narrative Feature: Never Had a Chance
Choice Awards:
- Best Social Justice Film: Flowers of Acacia
- Best Animation: The Hidden Side of the Moon
- Best LGBTQIA+: Aman
- Best Editing: Upon Starvation
- Best Director: Priyankar Patra, Early Days
- Best Actor (Male): Chirajit Biswas, Delupi — listed as Chiranjit Biswas in the announcement
- Best Actor (Female): Mahek, Mother Tongue
The festival also flagged its 2026 programming priorities: female-directed storytelling, animation, sports-centric cinema and "one of the festival's strongest LGBTQ+ lineups to date." One hopes the jury's taste and the market's money continue to travel together. On this evidence, they do.
via Deadline (Source)
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